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Tankhenge, Berlin, 1992

Joe Rush's galleries are the ghostly places of a military-industrial world:

disused factories, derelict train stations,

dilapidated urban warehouses, no man's lands; and the fields of festivals.

They are the theatre of his monumental political and environmental works 

in which he forges a marginal and ephemeral world where the environment imposes a mutation

and the spectator becomes a performer.


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